Showing posts with label partner in crime tours. Show all posts
Showing posts with label partner in crime tours. Show all posts

Saturday, 5 August 2017

Review - All Signs Point to Murder by #Connie di Marco ~ Book Tour

All Signs Point to Murder by Connie di Marco

All Signs Point to Murder

by Connie di Marco

on Tour July 23 - August 23, 2017

Synopsis:

All Signs Point to Murder by Connie di Marco
Rob Ramer was the perfect husband until he committed the ultimate family faux pas — he shot his sister-in-law to death. Believing himself under attack by an intruder in his home, he fired back. But when evidence is discovered that Rob’s wife, Brooke, was plotting his murder, Brooke is charged with conspiracy in her sister’s death. Geneva, a third sister, is desperate for answers and seeks the help of her friend, San Francisco astrologer Julia Bonatti. Geneva’s lost one sister and now it seems she’ll lose the other. Was this a murder plot or just a terrible accident? Julia vows to find the answer in the stars.

Book Details:

Genre: Mystery, Paranormal
Published by: Midnight Ink
Publication Date: August 2017
Number of Pages:336
ISBN: 0738751073 (ISBN13: 9780738751078)
Series: A Zodiac Mystery, 2 | Each is a Stand Alone Mystery
Purchase Links: Amazon  | Barnes & Noble  | IndieBound  | Goodreads 

Read an excerpt:

The building on Guerrero was a once proud Victorian with bow front windows. It had since been broken up into six small units and fallen into disrepair. I drove around the block several times before I managed to find a parking spot a few doors down. The shops on the main street were long closed and the streets deserted. I shivered and let the car heater run another minute to warm up before I left the comfort of my little metal box. There was something about this chore that made my stomach go into knots. Rummaging through a dead woman’s possessions was bad enough, but what if I found something that implicated Moira in a crime? Should I remove it and risk the police finding out?
I climbed out of the car, careful to lock it and approached the long stairway leading to the front door. The wind had died down and now fog danced around the streetlights. It was eerily quiet. No lights shone from any of the windows. I hoped all the residents were safely tucked up in their beds by now. I climbed the cracked granite stairs to the entrance. The weathered door stood ajar, listing slightly on its hinges. I grasped the handle and twisted it, but the lock mechanism was out of commission. Inside, a bare overhead light bulb hung from a chain. It cast a meager glow down the long corridor, cannibalized from a once grand entryway. The hallway smelled of dirty cat litter, moldy vegetables and cigarette smoke. I followed the corridor to the end, and stopped at the last door on the right.
I slipped the key into the lock. It offered no resistance. The door opened immediately. Had it not been locked? I caught a slight scuffling sound and cringed. I hoped no furry long-tailed creatures were waiting inside for me. I reached around the doorway and felt along the wall. My fingers hit the switch. A rusting chandelier with two bulbs missing illuminated the one large room that was both Moira’s living room and bedroom. I tested the key with the door open, locking and then unlocking it. Now I felt the resistance. The door had definitely been unlocked. I stepped inside and shut it behind me, making sure the lock was secure. Was it possible someone had been here before me and left without locking the door? Or had Moira simply been careless?
I had to make sure I was alone in the apartment. There were no hiding places in this sparsely furnished room. I checked under the bed just to be sure and opened the closet, terrified that someone or something might jump out at me. The closet was narrow, filled with a jumble of clothing, half on the floor. I walked into the kitchenette and spotted a doorway that led to the back stairs and the yard. I tested the handle on the door. Locked. I checked the space between the refrigerator and the wall, and then the shower stall in the bathroom. I was alone. I had been holding my breath and finally let it out in a great sigh.
I started with the drawers in the kitchen and checked the counter, looking for any notes with names or phone numbers. There was nothing. The kitchen was surprisingly clean, as if Moira had never used the room. Inside the refrigerator were a few condiments, a half-eaten unwrapped apple and a loaf of whole wheat bread. I quickly rummaged through the drawers and the freezer to make sure there were no bundles of cash disguised as frozen meat.
The main room housed a collection of hand-me-downs and broken furniture, ripped curtains and piles of clothing in various spots around the floor. Had she really lived like this? I heaved up the mattress, first on one side and then the other, making sure nothing was hidden between it and the box spring. Under the bed, I spotted only dust bunnies. I pulled open each of the bureau drawers, checked their contents and pulled them all the way out to make sure nothing was behind them. I opened a small drawer in the bedside stand. Amid a loose pile of clutter was a dark blue velvet box embossed with the letter “R” in cursive gold script. Could this be from Rochecault? I was fairly certain it was. Rochecault is an infamously expensive jeweler on Maiden Lane downtown. How could Moira have shopped there? Was this what Geneva had meant when she said her sister seemed to have a lot of money to spend?
I opened the box and gasped. An amazing bracelet heavy with blue stones in varying colors rested inside. The setting had the slightly matte industrial sheen of platinum. Moira couldn’t possibly have afforded this. Shoving the box into a side pocket of my purse, I decided I was definitely not leaving this for the police to find, and slid the drawer shut.
I scanned the room. Moira hadn’t been much of a housekeeper and it didn’t appear as if there were many hiding spots. I headed for the desk, a rickety affair with two drawers and a monitor on top. I clicked on the hard drive and waited a moment. The monitor came to life and asked for a password. It would take someone much more talented than I to unearth its secrets. Under a jumble of papers and unopened bills, my eye caught a small black notebook. This looked promising. Perhaps it was an address book that would give us all of Moira’s contacts. I dropped my purse on the floor and reached for the book. A searing pain shot through my skull. Blinded, I fell to the floor.
***
Excerpt from All Signs Point to Murder by Connie di Marco. Copyright © 2017 by Connie di Marco. Reproduced with permission from Connie di Marco. All rights reserved.

MY REVIEW 

Well they say you should never judge a book by it's cover and this is one time I think this is so true! I imagined this book would be a murder mystery with a comedy element to it. Well nothing could be further from the truth. 

After the accidental shooting of her Friends Sister, Julia Bonatti vows to help her Friend Geneva find out the truth as to exactly what happened and why. Julia puts herself into all sorts of dangerous situations. I loved her character! She was feisty, brave and a good person, all rolled into one. She was a loyal Friend and determined to get to the bottom of what had gone on.

The plot to this book is very intricate and very well plotted out. It really is a good story line. There's a suspect behind every corner. First you think it's one person and then it's someone else. It has many twists and turns throughout. 

The only part I wasn't very keen on was the astrological part of the book, where Julia see's "Signs" in people based on their dates and places of birth. Some may enjoy this, but I felt it could have been left out and the story would have been equally as good.

Having said that I thoroughly enjoyed this book and I thought the characters were all very descriptive and well written. Reading on my kindle, the answer to all the questions you had about what happened came at about 96% into the book, so you really were left guessing right to the end. 

A definitive must buy, which you will struggle to put down. 

Author Bio:

Connie di Marco
Connie di Marco is the author of the Zodiac Mysteries from Midnight Ink, featuring San Francisco astrologer, Julia Bonatti. The first in the series, The Madness of Mercury, was released in June 2016 and the second, All Signs Point to Murder, available for pre-order now, will be released on August 8, 2017.
Writing as Connie Archer, she is also the national bestselling author of the Soup Lover’s Mystery series from Berkley Prime Crime. Some of her favorite recipes can be found in The Cozy Cookbook and The Mystery Writers of America Cookbook. Connie is a member of International Thriller Writers, Mystery Writers of America and Sisters in Crime.

Catch Up With Connie di Marco On: Website , Goodreads , Twitter , & Facebook !

 

Tour Participants:

 

Giveaway:

This is a rafflecopter giveaway hosted by Partners in Crime Virtual Book Tours for Connie di Marco. There will be 1 winner of one (1) Amazon.com Gift Card AND 2 winners of one (1) eBook copy of All Signs Point to Murder. The giveaway begins on July 21 and runs through August 24, 2017.
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Get More Great Reads at Partners In Crime Virtual Book Tours

 

Friday, 26 May 2017

#Dream a Little Death by #SusanKandel - Showcase - A Dreama Black Mystery

Dream A Little Death by Susan Kandel

Dream A Little Death

by Susan Kandel

on Tour May 23 - June 23, 2017

Synopsis:


From critically acclaimed author Susan Kandel comes a charming new mystery featuring Dreama Black and a cast of zany LA-based characters.

The first time I set eyes on Miles McCoy, I worried he might try to eat me. He was the size and girth of a North American grizzly, with long, silver-tipped hair, a long silver-tipped beard, and small dark eyes that bore into me like I was a particularly fine specimen of Chinook salmon. It couldn't have helped that I'd used a honey scrub the morning we met. I should've known better. Not just about the scrub, but about a lot of things.
Like braving the freeway during rush hour.
Like thinking you can't get a ticket for parking at a broken meter.
Like racing up to his penthouse in gladiator sandals, and expecting not to twist an ankle.
Like watching his fiancée shoot herself, and assuming it was suicide, instead of murder.

Meet Dreama Black. A 28 year-old, third-generation groupie trying to figure out who she is after being publicly dumped by the rock god whose mega-hit, "Dreama, Little Dreama" made the name and the girl world-famous. Now Dreama supports herself by running custom-designed, themed tours of her hometown of L.A. When she is hired by a Raymond Chandler-obsessed rap producer to create a "L.A. noir" tour as his present to his soon-to-be bride, Dreama gets pulled into the middle of a possible murder, corrupt cops, and an unforgettable pair of femme fatales.

Book Details:

Genre: Mystery/Thriller
Published by: Witness Impulse
Publication Date: May 23rd 2017
Number of Pages: 304
ISBN: 0062674994 (ISBN13: 9780062674999)
Series: A Dreama Black Mystery, 1
Purchase Links: Amazon UK   Amazon  | Barnes & Noble  | Goodreads 

Read an excerpt:

Chapter 1
The first time I set eyes on Miles McCoy, I worried he might try to eat me. He was the size and girth of a North American grizzly bear, with long silver-tipped hair, a long silver-tipped beard, and small dark eyes that bore into me like I was a particularly fine specimen of Chinook salmon. It couldn’t have helped that I’d used a honey scrub the morning we met. I should’ve known better. Not just about the scrub, but about a lot of things.
Like braving the freeway during rush hour.
Like thinking you can’t get a ticket for parking at a broken meter.
Like racing up to his penthouse in Balenciaga gladiator sandals, and expecting not to twist an ankle.
Like watching his fiancée shoot herself, and assuming it was suicide, instead of murder.
But I’m getting ahead of myself, which is another thing I should know better about. Because if I’ve learned anything at all from my study of film noir (which got me into the whole sordid Miles McCoy mess to begin with), it is to tell the story in the precise order in which it happened.
The trouble started the day before, which was Valentine’s Day, a pagan holiday named after the Roman priest who defied Claudius II by marrying Christian couples. After being hauled off in shackles, the soft-hearted cleric was beaten with clubs, stoned, and when that didn’t finish him off, publicly beheaded. Makes you think.
It had poured rain for eight days running, which isn’t what you sign on for when you live in Los Angeles. But that morning, as I stepped outside for a run, the sun was blinding—so blinding, in fact, that I didn’t see the fragrant valentine my neighbor’s dog, Engelbart, had left on the stoop for me. Not that I minded spending the next twenty minutes cleaning the grooves of my running shoe with a chopstick. It was a beautiful day. The rollerbladers were cruising the Venice boardwalk. The scent of medical marijuana was wafting through the air. Engelbart’s gastrointestinal tract was sound.
An hour later, I hopped into my mint green 1975 Mercedes convertible, and made my way up Lincoln to the freeway. I was headed to Larchmont, an incongruous stretch of Main Street, USA, sandwiched between Hollywood and Koreatown. This was where studio executives’ wives and their private school daughters came for green juice, yoga pants, and the occasional wrench from the general store that had served Hancock Park since the 1930s. It was also where my mother and grandmother ran Cellar Door, known for its chia seed porridge and life-positive service. I helped out whenever my coffers were running low. Which was most of the time.
You are probably frowning right about now. Surely a young woman who owns a classic convertible—as well as Balenciaga gladiators—should not be perennially low on funds. But it’s true.
The car came from my grandmother, who received it as part of her third (fourth?) divorce settlement and gave it to me as a gift when I strong-armed my mother into rehab for the fourth (fifth?) time. The sandals I purchased online in a frenzy of self-loathing shortly after watching my ex-boyfriend the rock god serenading his current girlfriend the supermodel on an otherwise uneventful episode of Ellen. I’d tried to return the sandals, but one of the studs had fallen off, making them damaged goods. Like their owner. Not that I’m hard on myself. It’s just that my career—I take clients on custom-designed, private tours of my hometown of L.A.—wasn’t exactly thriving, which is why I was easy prey for the likes of Miles McCoy. But I’m getting ahead of myself again. Here comes the good part. The part where I’m driving like the wind and almost don’t notice the flashing lights in my mirror. I knew I should have fixed that taillight.
I pulled over, cut the motor, handed the cop my license and registration. He looked down, then did a double take. “Dreama Black?”
That would be me.
“The Dreama Black?” he continued. “As in ‘Dreama, Little Dreama’?”
Perhaps I should explain.
I am a twenty-eight-year-old, third-generation rock ’n’ roll groupie—or “muse,” as the women in my family like to put it.
My grandmother, a fine-boned blonde who never met a gossamer shawl or Victorian boot she didn’t like, spent the sixties sleeping her way through Laurel Canyon, winding up in a house on Rothdell Trail (a.k.a. “Love Street”) purchased for her by a certain lead singer of a certain iconic band whose name is the plural of the thing that hits you on the way out.
My mother, blessed with thick, dark tresses and a way with mousse, was consort to many of the pseudo-androgynous alpha males of American hair metal, her chief claim to fame an MTV video in which she writhed across the hood of a Porsche wearing a white leotard and black, thigh-high boots. She also bought Axl Rose his first kilt.
As for me, well, I was on my way to freshman orientation when this guy I’d been seeing, who’d played a couple of no-name clubs with some friends from summer camp, intercepted me at LAX, put his lips to my ear, and hummed the opening bars of a new song I’d apparently inspired. Instead of boarding the plane for Berkeley, I boarded the tour bus with Luke Cutt and the other skinny, pimply members of Rocket Science. Four world tours, three hit albums, two Grammys, and one breakup later, “Dreama, Little Dreama”—an emo pop anthem that went gold in seven days and has sold eleven million copies to date—had made me almost famous forever.
“Step out of the car, please.”
The cop removed his sunglasses. Peach fuzz. Straight out of the academy. “So.”
He wanted to get a picture with me.
“I’d love to get a picture with you,” he said.
I smoothed down my cut-offs and striped T-shirt, removed my red Ray-Bans, ran my fingers through my long, straight, freshly balayaged auburn hair. The cop put his arm around me, leaned in close, took a couple of snaps on his phone. Let me guess. He’d had a crush on me since tenth grade, when he saw me in a white tank and no bra on the cover of Rocket Science’s debut C.D., and now he was going to post the pictures on Instagram to show all his buddies.
“Awesome.” He gave me a brotherly punch on the arm. “No way is my wife going to believe this. She’s crazy about Luke Cutt. Hey, is he really dating that Victoria’s Secret Angel? She is smoking hot.”
At least I didn’t get the ticket.

Excerpt from Dream A Little Death by Susan Kandel. Copyright © 2017 by Susan Kandel. Reproduced with permission from HarperCollins Publishers. All rights reserved.

Author Bio:

An Agatha, Edgar, and SCIBA nominee, Susan Kandel is the author of the nationally best-selling and critically acclaimed Cece Caruso series, the most recent of which, Dial H for Hitchcock (Morrow), was named by NPR as one of the five best mysteries of the year. A Los Angeles native, she was trained as an art historian, taught at NYU and UCLA, and spent a decade as an art critic at the Los Angeles Times. When not writing, she volunteers as a court-appointed advocate for foster children, and loves to explore secret, forgotten, and kitschy L.A. She lives with her husband in West Hollywood.

Catch Up With Our Author On: Website , Goodreads , Twitter , & Facebook ! 

Tour Participants:

 

Here's Your Chance to WIN!

This is a rafflecopter giveaway hosted by Partners in Crime Virtual Book Tours for Susan Kandel and Harper Collins. There will be 5 winners of one (1) eBook copy of Dream A Little Death by Susan Kandel. The giveaway begins on May 23rd and runs through June 27th 2017
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Get More Great Reads at Partners In Crime Virtual Book Tours

 

Friday, 7 April 2017

The Echo Man by Richard Montanari - Book Showcase

The Echo Man by Richard Montanari

The Echo Man

by Richard Montanari

on Tour March 20 - April 7, 2017

Synopsis:


It is fall in Philadelphia and the mutilated body of a man has been found in one of the poorest neighborhoods of the city. The victim's forehead and eyes are wrapped in a band of white paper, sealed on one side with red sealing wax. On the other side is a smear of blood in the shape of a figure eight. The victim has been roughly and violently shaved clean — head to toe — a temporary tattoo on his finger.
As another brutalized body appears, then another, it becomes horrifyingly clear that someone is re-creating unsolved murders from Philadelphia's past in the most sinister of ways.
And, for homicide detectives Kevin Byrne and Jessica Balzano, the killer is closer than they think...

Praise:

"This tale had me gripped by the throat, unwilling to do anything but anxiously turn the pages. Richard Montanari's writing is both terrifying and lyrical, a killer combination that makes him a true stand-out in the crowded thriller market. The Echo Man showcases a master storyteller at his very best." -Tess Gerritsen, bestselling author of The Silent Girl
"Richard Montanari's The Echo Man continues his work as a writer whose prose can capture quite extraordinary subtleties. When a man's facial expression is described as "not the look of someone with nothing to hide, but rather of one who has very carefully hidden everything," we know we are in good hands, and with The Echo Man, we are in the hands of one of the best in the business". – Thomas H. Cook, bestselling author of Red Leaves

Book Details:

Genre: Mystery, Thriller
Published by: Witness Impulse
Publication Date: February 7th 2017 (first published January 1st 2011)
Number of Pages: 400
ISBN: 0062467425 (ISBN13: 9780062467423)
Series: Jessica Balzano & Kevin Byrne #5
Purchase Links: Amazon  | Barnes & Noble  | Goodreads 

Read an excerpt:

For every light there is shadow. For every sound, silence. From the moment he got the call Detective Kevin Francis Byrne had a premonition this night would forever change his life, that he was headed to a place marked by a profound evil, leaving only darkness in its wake.
“You ready?”
Byrne glanced at Jimmy. Detective Jimmy Purify sat in the passenger seat of the bashed and battered department- issue Ford. He was just a few years older than Byrne, but something in the man’s eyes held deep wisdom, a hard- won experience that transcended time spent on the job and spoke instead of time earned. They’d known each other a long time, but this was their first full tour as partners.
“I’m ready,” Byrne said.
He wasn’t.
They got out of the car and walked to the front entrance of the sprawling, well- tended Chestnut Hill mansion. Here, in this exclusive section of the northwest part of the city, there was history at every turn, a neighborhood designed at a time when Philadelphia was second only to London as the largest English- speaking city in the world. The first officer on the scene, a rookie named Timothy Meehan, stood inside the foyer, cloistered by coats and hats and scarves perfumed with age, just beyond the reach of the cold autumn wind cutting across the grounds.
Byrne had been in Officer Meehan’s shoes a handful of years earlier and remembered well how he’d felt when detectives arrived, the tangle of envy and relief and admiration. Chances were slight that Meehan would one day do the job Byrne was about to do. It took a certain breed to stay in the trenches, especially in a city like Philly, and most uniformed cops, at least the smart ones, moved on.
Byrne signed the crime- scene log and stepped into the warmth of the atrium, taking in the sights, the sounds, the smells. He would never again enter this scene for the first time, never again breathe an air so red with violence. Looking into the kitchen, he saw a blood splattered killing room, scarlet murals on pebbled white tile, the torn flesh of the victim jigsawed on the floor.
While Jimmy called for the medical examiner and crime- scene unit, Byrne walked to the end of the entrance hall. The officer standing there was a veteran patrolman, a man of fifty, a man content to live without ambition. At that moment Byrne envied him. The cop nodded toward the room on the other side of the corridor.
And that was when Kevin Byrne heard the music.
She sat in a chair on the opposite side of the room. The walls were covered with a forest- green silk; the floor with an exquisite burgundy Persian. The furniture was sturdy, in the Queen Anne style. The air smelled of jasmine and leather.
Byrne knew the room had been cleared, but he scanned every inch of it anyway. In one corner stood an antique curio case with beveled glass doors, its shelves arrayed with small porcelain figurines. In another corner leaned a beautiful cello. Candlelight shimmered on its golden surface.
The woman was slender and elegant, in her late twenties. She had burnished russet hair down to her shoulders, eyes the color of soft copper. She wore a long black gown, sling- back heels, pearls. Her makeup was a bit garish— theatrical, some might say— but it flattered her delicate features, her lucent skin.
When Byrne stepped fully into the room the woman looked his way, as if she had been expecting him, as if he might be a guest for Thanksgiving dinner, some discomfited cousin just in from Allentown or Ashtabula. But he was neither. He was there to arrest her.
“Can you hear it?” the woman asked. Her voice was almost adolescent in its pitch and resonance.
Byrne glanced at the crystal CD case resting on a small wooden easel atop the expensive stereo component. Chopin: Nocturne in G Major. Then he looked more closely at the cello. There was fresh blood on the strings and fingerboard, as well as on the bow lying on the floor. Afterward, she had played.
The woman closed her eyes. “Listen,” she said. “The blue notes.”
Byrne listened. He has never forgotten the melody, the way it both lifted and shattered his heart.
Moments later the music stopped. Byrne waited for the last note to feather into silence. “I’m going to need you to stand up now, ma’am,” he said.
When the woman opened her eyes Byrne felt something flicker in his chest. In his time on the streets of Philadelphia he had met all types of people, from soulless drug dealers, to oily con men, to smash-and-grab artists, to hopped-up joyriding kids. But never before had he encountered anyone so detached from the crime they had just committed. In her light- brown eyes Byrne saw demons caper from shadow to shadow.
The woman rose, turned to the side, put her hands behind her back. Byrne took out his handcuffs, slipped them over her slender white wrists, and clicked them shut.
She turned to face him. They stood in silence now, just a few inches apart, strangers not only to each other, but to this grim pageant and all that was to come.
“I’m scared,” she said.
Byrne wanted to tell her that he understood. He wanted to say that we all have moments of rage, moments when the walls of sanity tremble and crack. He wanted to tell her that she would pay for her crime, probably for the rest of her life— perhaps even with her life— but that while she was in his care she would be treated with dignity and respect.
He did not say these things. “My name is Detective Kevin Byrne,” he said. “It’s going to be all right.” It was November 1, 1990. Nothing has been right since.
Excerpt from The Echo Man by Richard Montanari. Copyright © 2017 by Richard Montanari. Reproduced with permission from Witness Impulse. All rights reserved.
    Richard Montanari

Author Bio:

Richard Montanari is the internationally bestselling author of numerous novels, including the nine titles in the Byrne & Balzano series.
He lives in Cleveland, Ohio.

Catch Up With Our Author On: Website , Goodreads , Twitter , & Facebook !



Book Review

Tour Participants:

Don't forget to check out these other stops - they'll be featuring reviews, interviews & More giveaways!  

Giveaway:

This is a rafflecopter giveaway hosted by Partners in Crime Virtual Book Tours for Richard Montanari and Harper Collins. There will be 5 winners of one (1) eBook copy of The Echo Man by Richard Montanari. The giveaway begins on March 20th and runs through April 9th, 2017.
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Thursday, 2 March 2017

Pistols and Petticoats by Erika Janik ~ Book Blast ~ US & Canada giveaway

Pistols and Petticoats by Erika Janik

Pistols and Petticoats

175 Years of Lady Detectives in Fact and Fiction

by Erika Janik

March 2nd 2017 Book Blast

Synopsis:


A lively exploration of the struggles faced by women in law enforcement and mystery fiction for the past 175 years

In 1910, Alice Wells took the oath to join the all-male Los Angeles Police Department. She wore no uniform, carried no weapon, and kept her badge stuffed in her pocketbook. She wasn’t the first or only policewoman, but she became the movement’s most visible voice.
Police work from its very beginning was considered a male domain, far too dangerous and rough for a respectable woman to even contemplate doing, much less take on as a profession. A policewoman worked outside the home, walking dangerous city streets late at night to confront burglars, drunks, scam artists, and prostitutes. To solve crimes, she observed, collected evidence, and used reason and logic—traits typically associated with men. And most controversially of all, she had a purpose separate from her husband, children, and home. Women who donned the badge faced harassment and discrimination. It would take more than seventy years for women to enter the force as full-fledged officers.
Yet within the covers of popular fiction, women not only wrote mysteries but also created female characters that handily solved crimes. Smart, independent, and courageous, these nineteenth- and early twentieth-century female sleuths (including a healthy number created by male writers) set the stage for Agatha Christie’s Miss Marple, Sara Paretsky’s V. I. Warshawski, Patricia Cornwell’s Kay Scarpetta, and Sue Grafton’s Kinsey Millhone, as well as TV detectives such as Prime Suspect’s Jane Tennison and Law and Order’s Olivia Benson. The authors were not amateurs dabbling in detection but professional writers who helped define the genre and competed with men, often to greater success.
Pistols and Petticoats tells the story of women’s very early place in crime fiction and their public crusade to transform policing. Whether real or fictional, investigating women were nearly always at odds with society. Most women refused to let that stop them, paving the way to a modern professional life for women on the force and in popular culture.

Book Details:

Genre: Mystery, NonFiction, History
Published by: Beacon Press
Publication Date: February 28th 2017 (1st Published April 26th 2016)
Number of Pages: 248
ISBN: 0807039381 (ISBN13: 9780807039380)
Purchase Links: Amazon  | Barnes & Noble  | Goodreads 

Read an excerpt:

With high heels clicking across the hardwood floors, the diminutive woman from Chicago strode into the headquarters of the New York City police. It was 1922. Few respectable women would enter such a place alone, let alone one wearing a fashionable Paris gown, a feathered hat atop her brown bob, glistening pearls, and lace stockings.
But Alice Clement was no ordinary woman.
Unaware of—or simply not caring about—the commotion her presence caused, Clement walked straight into the office of Commissioner Carleton Simon and announced, “I’ve come to take Stella Myers back to Chicago.”
The commissioner gasped, “She’s desperate!”
Stella Myers was no ordinary crook. The dark-haired thief had outwitted policemen and eluded capture in several states.
Unfazed by Simon’s shocked expression, the well-dressed woman withdrew a set of handcuffs, ankle bracelets, and a “wicked looking gun” from her handbag.
“I’ve come prepared.”
Holding up her handcuffs, Clement stated calmly, “These go on her and we don’t sleep until I’ve locked her up in Chicago.” True to her word, Clement delivered Myers to her Chicago cell.
Alice Clement was hailed as Chicago’s “female Sherlock Holmes,” known for her skills in detection as well as for clearing the city of fortune-tellers, capturing shoplifters, foiling pickpockets, and rescuing girls from the clutches of prostitution. Her uncanny ability to remember faces and her flair for masquerade—“a different disguise every day”—allowed her to rack up one thousand arrests in a single year. She was bold and sassy, unafraid to take on any masher, con artist, or scalawag from the city’s underworld.
Her headline-grabbing arrests and head-turning wardrobe made Clement seem like a character straight from Central Casting. But Alice Clement was not only real; she was also a detective sergeant first grade of the Chicago Police Department.
Clement entered the police force in 1913, riding the wave of media sensation that greeted the hiring of ten policewomen in Chicago. Born in Milwaukee to German immigrant parents in 1878, Clement was unafraid to stand up for herself. She advocated for women’s rights and the repeal of Prohibition. She sued her first husband, Leonard Clement, for divorce on the grounds of desertion and intemperance at a time when women rarely initiated—or won—such dissolutions. Four years later, she married barber Albert L. Faubel in a secret ceremony performed by a female pastor.
It’s not clear why the then thirty-five-year-old, five-foot-three Clement decided to join the force, but she relished the job. She made dramatic arrests—made all the more so by her flamboyant dress— and became the darling of reporters seeking sensational tales of corruption and vice for the morning papers. Dark-haired and attractive, Clement seemed to confound reporters, who couldn’t believe she was old enough to have a daughter much less, a few years later, a granddaughter. “Grandmother Good Detective” read one headline.
She burnished her reputation in a high-profile crusade to root out fortune-tellers preying on the naive. Donning a different disguise every day, Clement had her fortune told more than five hundred times as she gathered evidence to shut down the trade. “Hats are the most important,” she explained, describing her method. “Large and small, light and dark and of vivid hue, floppy brimmed and tailored, there is nothing that alters a woman’s appearance more than a change in headgear.”
Clement also had no truck with flirts. When a man attempted to seduce her at a movie theater, she threatened to arrest him. He thought she was joking and continued his flirtations, but hers was no idle threat. Clement pulled out her blackjack and clubbed him over the head before yanking him out of the theater and dragging him down the street to the station house. When he appeared in court a few days later, the man confessed that he had been cured of flirting. Not every case went Clement’s way, though. The jury acquitted the man, winning the applause of the judge who was no great fan of Clement or her theatrics.
One person who did manage to outwit Clement was her own daughter, Ruth. Preventing hasty marriages fell under Clement’s duties, and she tracked down lovelorn young couples before they could reach the minister. The Chicago Daily Tribune called her the “Nemesis of elopers” for her success and familiarity with everyone involved in the business of matrimony in Chicago. None of this deterred twenty-year-old Ruth Clement, however, who hoped to marry Navy man Charles C. Marrow, even though her mother insisted they couldn’t be married until Marrow finished his time in service in Florida. Ruth did not want to wait, and when Marrow came to visit, the two tied the knot at a minister’s home without telling Clement. When Clement discovered a Mr. and Mrs. Charles C. Marrow registered at the Chicago hotel supposedly housing Marrow alone, she was furious and threatened to arrest her new son-in-law for flouting her wishes. Her anger cooled, however, and Clement soon welcomed the newlyweds into her home.
Between arrests and undercover operations, Clement wrote, produced, and starred in a movie called Dregs of the City, in 1920. She hoped her movie would “deliver a moral message to the world” and “warn young girls of the pitfalls of a great city.” In the film, Clement portrayed herself as a master detective charged with finding a young rural girl who, at the urging of a Chicago huckster, had fled the farm for the city lights and gotten lost in “one of the more unhallowed of the south side cabarets.” The girl’s father came to Clement anegged her to rescue his innocent daughter from the “dregs” of the film’s title. Clement wasn’t the only officer-turned-actor in the film. Chicago police chiefs James L. Mooney and John J. Garrity also had starring roles. Together, the threesome battered “down doors with axes and interrupt[ed] the cogitations of countless devotees of hashish, bhang and opium.” The Chicago Daily Tribune praised Garrity’s acting and his onscreen uniform for its “faultless cut.”
The film created a sensation, particularly after Chicago’s movie censor board, which fell under the oversight of the police department, condemned the movie as immoral. “The picture shall never be shown in Chicago. It’s not even interesting,” read the ruling. “Many of the actors are hams and it doesn’t get anywhere.” Despite several appeals, Clement was unable to convince the censors to allow Dregs of the City to be shown within city limits. She remained undeterred by the decision. “They think they’ve given me a black eye, but they haven’t. I’ll show it anyway,” she declared as she left the hearing, tossing the bouquet of roses she’d been given against the window.
When the cruise ship Eastland rolled over in the Chicago River on July 24, 1915, Clement splashed into the water to assist in the rescue of the pleasure boaters, presumably, given her record, wearing heels and a designer gown. More than eight hundred people would die that day, the greatest maritime disaster in Great Lakes history. For her services in the Eastland disaster, Clement received a gold “coroner’s star” from the Cook County coroner in a quiet ceremony in January of 1916.
Clement’s exploits and personality certainly drew attention, but any woman would: a female crime fighter made for good copy and eye-catching photos. Unaccustomed to seeing women wielding any kind of authority, the public found female officers an entertaining—and sometimes ridiculous—curiosity.
Excerpt from Pistols and Petticoats: 175 Years of Lady Detectives in Fact and Fiction by Erika Janik. Copyright © 2016 & 2017 by Beacon Press. Reproduced with permission from Beacon Press. All rights reserved.

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Check out this awesome article in Time Magazine!
“Erika Janik does a fine job tracing the history of women in police work while at the same time describing the role of females in crime fiction. The outcome, with a memorable gallery of characters, is a rich look at the ways in which fact and fiction overlap, reflecting the society surrounding them. A treat for fans of the mystery—and who isn’t?” ~ Katherine Hall Page, Agatha Award–winning author of The Body in the Belfry and The Body in the Snowdrift
“A fascinating mix of the history of early policewomen and their role in crime fiction—positions that were then, and, to some extent even now, in conflict with societal expectations.” ~ Library Journal
“An entertaining history of women’s daring, defiant life choices.” ~ Kirkus Reviews

Author Bio:

authorErika Janik is an award-winning writer, historian, and the executive producer of Wisconsin Life on Wisconsin Public Radio. She’s the author of five previous books, including Marketplace of the Marvelous: The Strange Origins of Modern Medicine. She lives in Madison, Wisconsin.


Catch Up With Our Ms. Janik On: Website , Goodreads , Wisconsin Public Radio , & Twitter !

 

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Wednesday, 21 October 2015

SHOWCASE - Stillwater by Melissa Lenhardt ~~ Small Town Mystery

Stillwater

Melissa Lenhardt

on Tour October 5 - November 7, 2015

SYNOPSIS



cover
Former FBI agent Jack McBride took the job as Chief of Police for Stillwater, Texas, to start a new life with his teenage son, Ethan, away from the suspicions that surrounded his wife’s disappearance a year earlier.
With a low crime rate and a five-man police force, he expected it to be a nice, easy gig; hot checks, traffic violations, some drugs, occasional domestic disturbances, and petty theft. Instead, within a week he is investigating a staged murder-suicide, uncovering a decades’ old skeleton buried in the woods, and managing the first crime wave in thirty years.
For help navigating his unfamiliar, small-town surroundings, Jack turns to Ellie Martin, one of the most respected women in town—her scandal-filled past notwithstanding. Despite Jack's murky marriage status and the disapproval of Ethan and the town, they are immediately drawn to each other.
As Jack and Ellie struggle with their budding relationship, they unearth shattering secrets long buried and discover the two cases Jack is working, though fifty years apart, share a surprising connection that will rattle the town to its core.



Book Details:


Genre: Mystery, Crime, Small Town Mystery
Published by: Skyhorse Publishing
Publication Date: October 6, 2015
Number of Pages: 288
ISBN: 1634502264 (ISBN13: 9781634502269)
Series: Jack McBride Mysteries
Purchase Links: Amazon Barnes & Noble Goodreads




Read an excerpt:

From Chapter One...
"Helluva case to get on your first day, eh?" the doctor said.
Jack nodded and gave a brief smile. He pulled gloves and more paper booties from his coat pocket and handed them to Jesson and the doctor. Jack walked down the hall and entered the room. Jesson stopped at the door.
"Gilberto and Rosa Ramos," Jesson said. "Found dead this morning by Juan Vasquez." He jerked his thumb in the direction of the man sitting on the couch. "Says he's Rosa's brother. He don't speak much English but from what I gathered, he came to pick Gilberto up for work and heard the baby screaming. When no one answered, he let himself in. Door was open. Found them just like that."
They were both nude. The woman lay facedown, covering half of man's body. The right side of the man's head was blown across the pillow. Blood and brain matter were sprayed across the bed, under the woman and onto the floor. A clump of long dark hair was stuck to the window with blood. Her right arm was extended across the man's chest, a gun held lightly in her grip.
Jack walked around the bed.
Doc Poole stood next to Officer Jesson. "It takes a special kind of anger to kill someone you are in the middle of fucking, doncha think?" Doc Poole said. "Ever see that in the F-B-I?" Derision dripped from every letter.
Jack ignored him. "Where's the baby?"
Jack hoped the revulsion on Jesson's face meant scenes like this were rare in Stillwater. If he wanted to deal with shit like this on a regular basis, he would have taken a better paying job in a larger town.
"Officer Jesson?" Jack said. "Where's the baby?"
"Oh. It's with a neighbor."
"Has anyone called CPS?"
"Why?"
"To take care of the baby."
"The neighbor offered."
"And, what do we know about this neighbor?"
He shrugged. "She didn't speak much English."
"So, she could be in the next county by now?"
"Oh, I doubt that," Jesson said. "She seemed like a nice sort. Very motherly."
Jack cocked his head and puzzled over whether his most senior officer was ignorant, naive or an amazing judge of character.
He turned his attention to Doc Poole. "What's the time of death?"
"Sometime last night."
"Can you be more specific?"
"Didn't see the need. Seems pretty obvious what happened."
"Oh, are you a detective?"
"No. I'm a general practitioner."
"You're the JP, aren't you?"
"No. I used to be." He chuckled. "Too old for this now."
"Yet, here you are."
"JP is on the way, Chief," Jesson said.
Jack kept his focus on Doctor Poole. "So you heard this over the radio and decided to come? Or did someone call you?"
"Well, I —"
"Do you have the instruments necessary to establish a time of death?"
"Not with me, but —"
"Then get off my crime scene."
The little man straightened his shoulders and lifted his chin. "I can see why Jane Maxwell liked you." He started to leave but turned back. "We do things different here in Stillwater."
"Not anymore we don't," Jack said.




Author Bio:

author
Melissa Lenhardt writes mystery, historical fiction, and women's fiction. Her short fiction has appeared in Heater Mystery Magazine, The Western Online, and Christmas Nookies, a holiday romance anthology. Her debut novel, Stillwater, was a finalist for the 2014 Whidbey Writers' MFA Alumni Emerging Writers Contest. She is a board member of the DFW Writers' Workshop and vice president of the Sisters in Crime North Dallas Chapter. Melissa lives in Texas, with her husband and two sons.

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Giveaway: Sorry US Residents only

This is a giveaway hosted by Partners In Crime Virtual Book Tours for Melissa Lenhardt. There will be one winner of 1 AMAZON US gift card and 1 copy of Stillwater (For US residents only.). The giveaway runs through November 14th, 2015.
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Wednesday, 2 September 2015

SHOWCASE & GIVEAWAY - Dark Ice by Dave Stanton - Murder Mystery

Dark Ice

by Dave Stanton

on Tour September 2015


Synopsis:

cover

Two murdered girls, and no motive…

While skiing deep in Lake Tahoe’s backcountry, Private Eye Dan Reno finds the first naked body, buried under fresh snow. Reno’s contacted by the grieving father, who wants to know who murdered his daughter, and why? And how could the body end up in such a remote, mountainous location? The questions become murkier when a second body is found. Is there a serial killer stalking promiscuous young women in South Lake Tahoe? Or are the murders linked to a different criminal agenda?
Searching for answers, Reno is accosted by a gang of racist bikers with a score to settle. He also must deal with his pal, Cody Gibbons, who the police consider a suspect. The clues lead to the owner of a strip club and a womanizing police captain, but is either the killer?
The bikers up the ante, but are unaware that Cody Gibbons has Reno’s back at any cost. Meanwhile, the police won’t tolerate Reno’s continued involvement in the case. But Reno knows he’s getting close. And the most critical clue comes from the last person he’d suspect…


Book Details:


Genre: Crime, Murder Mystery, PI
Published by: LaSalle Davis Books
Publication Date: April 11, 2015
Number of Pages: 304
Series: Dan Reno Novel #4
ISBN: 098960313X (13: 978-0989603133)
Purchase Links: Amazon Goodreads


Read an excerpt:

The cornice stretched three feet over the sheer face below. There was about fifteen feet of vertical drop before the snow covered slope angled out at forty-five degrees. I inched my skis farther forward, the tips hanging over the void. I was wrong—it was more like twenty feet of mandatory air. And that was the shallowest entry the ledge offered.
I blew out my breath and ignored the sickly sensation of my testicles trying to climb into my stomach. Turning back now would mean a long uphill hike, while the reward for leaping off the cornice was five hundred feet of untracked powder. A slight dip to the left marked the most forgiving launch point. I pushed myself back and sidestepped higher up the ridge. A couple deep breaths, then I released my edges and glided toward the dip.
In a second I launched over the precipice, my hands thrust forward, my knees tucked toward my chest. As I dropped, I could see the distant desert floor of Nevada fall behind the stands of pine and fir at the bottom of the bowl. I extended my legs in the instant before I touched down and absorbed the shock, blinded for a second by a blast of snow. Then I cranked my skis on edge, bounced out of the fluff, and made a second turn through the deep powder. It had snowed about a foot last night, but here the fresh coverage was at least two feet, maybe more. Bottomless under my boots.
Twenty turns to the glade below, my heart pounding, my body disappearing in blasts of powder, the white coating me from head to toe. When I reached the tree line, I skidded to a stop and caught my breath. Then I looked up and admired the S-turns I’d left on the otherwise unblemished slope. Not bad, I thought, smiling at the understatement. Most of the winter storms that blow through the Lake Tahoe region come out of the warm Pacific and dump wet, heavy snow, creating the notorious Sierra cement. But last night’s blizzard swept in from Alaska, bringing colder and lighter snow. As a result, I was in the right place at the right time.
I skated along the terminus of the bowl and turned into the trees when they became sparse enough to allow passage. This was the Nevada backcountry, unpatrolled, accessible by ducking the boundary ropes at the highest elevation of South Lake Tahoe’s ski resort, right at the California-Nevada border. Before me lay 4000 feet of descent to the high desert floor where I’d parked my truck, near Route 207 outside of Gardnerville.
It was slower going now, the terrain interrupted by tangles of deadfall and icy patches where the wind had scoured the surface. I picked my way through it, my skis alternately sinking in powder then chattering and scraping across slick bands of ice. Finally I spotted a clearing—a wide, sweeping snow bank that fell toward a collection of pines hundreds of feet below. I rode the section like a surfer on a wave, turning down off the lip then riding back up, staying high and avoiding a flat area that would likely necessitate a hike.
When I reached the trees below, I entered a broad glade, the trunks spaced at wide intervals, the snow as soft and uniform as a white pillow. The morning sun had just appeared from behind a swath of swift moving clouds, and the snow glittered with pinpricks of light. I took a long moment to take in the scenery, then I picked a line and pushed off into the mild grade. The pristine snow held no surprises, the powder light and consistent, making it easy to find a rhythm. Floating through the trees and leaving a wake of rounded tracks, I become immersed in the splendor of the moment, as if the setting had been created solely for my indulgence.
My grandiose thoughts came to a crashing halt when I came around a tree and my skis rammed into something solid beneath the snow. My binding released with a loud click, and I flew forward and face-planted in a poof of powder.
“Son of a bitch,” I said, wiping the snow from my goggles. I took a quick inventory of my body and found no injuries. Then I crawled back ten feet to where my ski lay. When I pulled it from the snow, the edge caught, probably on a hidden stump, I thought. Then the powder fell aside, and I saw a flesh-colored streak. I froze for a second, certain my eyes were playing tricks on me. Blinking, I used the ski to push away more snow.
“No way,” I whispered, my heart in my throat. A bare shoulder revealed itself, then a snarl of blond hair strung with ice. I reached down with my gloved hand and carefully pushed aside the hair. The face was half-buried, one eye visible, lashes thick with mascara, a blue iris staring blankly. Using both hands like a shovel, I pushed away the bulk of the snow covering the upper body. A sour lump formed in my gut. The body was naked, the skin that of a young woman, perhaps a teenager.


Author Bio:

authorDave Stanton is the author of five novels in the Dan Reno private eye series. They do not have to be read chronologically to be enjoyed, but for those who want to know, the order is: Stateline, Dying for the Highlife, Speed Metal Blues, Dark Ice, & Hard Prejudice. Born in Detroit, Michigan, in 1960, Dave Stanton moved to Northern California in 1961. He received a BA in journalism from San Jose State University in 1983. Over the years, he worked as a bartender, newspaper advertising salesman, furniture mover, debt collector, and technology salesman. He has two children, Austin and Haley, and lives with his wife, Heidi, in San Jose, California. Stanton's five novels all feature private investigator Dan Reno and his ex-cop buddy, Cody Gibbons.

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Giveaway:

This is a giveaway hosted by Partners In Crime Virtual Book Tours for Dave Stanton. There will be one US winner of 1 $20 Amazon Gift Card. The giveaway begins on September 1st, 2015 and runs through September 31st, 2015. For US residents only. Stop by the Tour Participants sites to get chances to win copies of Dark Ice & more!

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Friday, 25 April 2014

BOOK TOUR & EXCERPT - Lethal as a Charlie Parker Solo by Javier Marquez Sanchez (Crime Noir)

Partners in Crime is pleased to present:

Lethal as a Charlie Parker Solo

by Javier Márquez Sánchez

on Tour April 1-30, 2014


Purchase Links:
 

Book Details:


Genre: Crime Noir Hardboiled
Published by: 280 Steps
Publication Date: March 2014
Number of Pages: 200
ISBN: 978-82-93326-07-6
Purchase Links:  

Schedule

TBD ~ Showcase @ The Opinionated Me
4/05 ~ Showcase @ Hott Books
4/07 ~ Guest Post @ Writers and Authors
4/08 ~ Guest Post @ Deal Sharing Aunt
4/14 ~ Interview @ Words by Webb
4/15 ~ Review & Giveaway @ Words by Webb
4/25 ~ Showcase @ Bookalicious Traveladdict
4/29 ~ Interview & Showcase @ CMash Reads

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Synopsis:

Lethal as a Charlie Parker Solo is a tribute to the noir novels of the 1940’s and 50’s, and fictionalizes the scandal that accompanied the filming of The Conqueror, the 1956 movie starring John Wayne and Susan Hayward.
Las Vegas, 1955: The gambling capital of the world, paradise of the Mafia and its luxury hotels offering endless opportunities to tourists and Hollywood stars alike. In the midst of it all; Eddie Bennett, a problem solver who lives in a suite at the Flamingo, drives a Pontiac Silver Streak and hangs out with the stars and the mafia bosses.
One day he's asked to handle the paperwork related to the death of a young actress. But after a little snooping around, he discovers that there's more than a broken heart behind her death.
The investigation takes Bennett from the bars and casinos of Las Vegas to the set of The Conqueror in the middle of the desert, and on the way he runs into John Wayne and other Hollywood stars, pretty girls, mobsters, state secrets and more dead bodies...

Author Bio:


Javier Márquez Sánchez (born 1978 in Sevilla, Spain) is Editor of the Spanish edition of Esquire. He has worked as a journalist for the Spanish radio and has written several novels, short stories collections and non-fiction books on film and music.
Lethal as a Charlie Parker Solo is his first novel being translated into English.

Catch Up With the Author:
  

Excerpt:

Those legs were way too good for a cemetery. Long and well-sculpted, with just enough curves to get lost in without getting dizzy. Sexy, but elegant enough to avoid provocation. Those pins were about as fitting in that place as a hooker at a wedding.
A real waste.
Either way, the girl didn’t seem to bear any relation to the family of the deceased. Her presence was strictly physical. More body than soul. Not so much accompanying the mourners as scrutinizing them, and without making much of an effort to hide it.
It wasn’t hard to make out the friends from the relatives who were pretty thin on the ground, dressed in black, and maintaining a respectful silence. They seemed out of place among the buddies, old-time crocks in Hawaiian shirts who all seemed to arrive in groups and wouldn’t stop whispering – probably about the prospects for the post-funeral canapés. There was no hiding the fact they were Hollywood veterans. Maybe one or two had known the dead guy, perhaps even worked with him, but most of them had probably just turned up after seeing his obituary in Variety.
They sure were a special kind of wildlife these people. They didn’t want to admit the good times were now the old days and spent the best part of their time looking each other up to swap stories in which most of them probably never took part. But that was always the way in Hollywood, the stuff of legend.
No, that girl definitely didn’t look like she belonged to Lingwood G. Dunn’s usual crowd. A special effects director on movies like Citizen Kane, West Side Story and 2001, A Space Odyssey according to his obituary in the newspaper, he was still just an unknown technician for most people. An unknown who had chosen the worst possible day to buy his last one-way ticket.
I don’t know if he had been lucky in life, but death sure dealt him a bum hand. He had died of cancer the previous morning, May 15, 1998, and he had no other choice than to accept the burial today. The very same day the whole twentieth century show business world went into mourning meltdown. That May 16, Frank Sinatra died.
That’s why it was so surprising to see the girl. The way she looked, moved and acted it was clear she was a reporter. I’ve known more than a few. And that day the story was elsewhere.
Another time I would have gone over to find out what she was up to, the lady deserved it. But I was working and I needed to be prepared to act at any moment. When you’re past 70 it’s not good to be caught off guard.
So I went back to watching the other side of the street. The green sedan was still parked in front of the bar. I was beginning to get tired of sitting in my old Volvo and I was thirsty. I made my way through the traffic, leaned on the car I was watching, and pretended to be adjusting the turn-ups on my trousers. Then I went into the bar.
It was early, but more people were drinking beer than coffee. I sat at the bar and ordered a strong coffee and some donuts. In the mirror opposite, behind the bottles, I could keep an eye on pretty much everything in the joint. My man was at a table in the back, sitting in the same state of boxed-in nervousness I had left him in minutes before. His name was Benjamin O’Connors, a twenty-something from a good family. Well educated, but keeping bad company. He was wearing a red bomber jacket, perfect for doing exactly what he was hoping to avoid: drawing attention to himself.
I sipped my coffee and cursed as I burnt my tongue. Patience isn’t one of my virtues. While I got bored waiting I grabbed a handful of pistachios that had been left almost untouched by the suit who had just left. I put the nuts in my jacket pocket. The barman gave me a disapproving look. For my cockatoo, I said. It was true. I had a cockatoo, two fish, and a cat that was too lazy to try eating his flatmates. Then the door opened and there she was. She was silhouetted against the light, but those legs were unmistakable. She breezed over to the center of the bar and sat down. She swung her hair to one side and I thought how unusual it was to see a cut like that these days. She reminded me of Veronica Lake in those films I’ve learned to love over the years; learning to like Veronica Lake didn’t take so long. She asked for a coffee and got out a notebook. I wasn’t wrong about her profession.
I looked for the red bomber jacket in the mirror and saw that Benjamin O’Connors was still in the corner with his eyes glued to the door. So I grabbed my cup and moved a couple of stools down the bar, next to the girl.
“You got an interest in has-beens?”
She looked at me and smiled. She had too much experience to take the bait from a stranger first time of asking.
“I met Lingwood in ’55,” I said, “when he made that film with John Wayne.”
“You an actor?” She said without looking up from her notepad.
“No.”
“Screenwriter?”
“No.”
She looked up at me.
“A fellow technician?”
I shook my head.
“Just knew the guy,” I said.
“Listen Grandpa, if you really knew him maybe you could help me,” she said, rattled. When you’ve done a heap of shitty jobs in your life the attitude is easy to recognize.
“The guy was a friend of my editor-in-chief and he wants me to do something more than just short filler about his death. But those guys have only told me black and white stories of former glories without much of a spark. I think most of them are a bit…you know.”
“Old is the word,” I answered. “And don’t worry; I’m not bothered you called me Grandpa. I don’t happen to be one, but I guess I could be.”
“Okay. Listen up. Sir, today the greatest artist of the twentieth century died,” she put sugar in her coffee and began to stir, “and they got me covering the funeral of this guy who might’ve been a great guy to hit the town with, but frankly, I don’t give a damn.” She sipped her coffee. “So, if you don’t mind, I just want to get this business over with as fast as possible.”
She emphasized her displeasure with a grimace.
I went back to my coffee and stayed quiet for a while.
“Hey, I’m sorry,” she said after a few minutes, putting her hand on my arm. “Sometimes it drives me nuts covering these news fillers. I can get a bit problematic, you get my drift? And occasionally they give me these crappy jobs as a punishment.”
“Don’t worry about it.” I replied.
She gave me a pretty smile.
“And let me tell you, for a grandpa, like you said, you look pretty good. You gotta be older than my pa, but you look fitter than my last boyfriend.”
“Baby,” I said, “you just made my year.”
I winked and gave her a friendly pinch on the cheek. Call it golden-ager’s license. Afterward we both got back to our business.
Sincerely made up, I got lost in the reflection of my thin and wrinkled face in the mirror, my ash gray hair, which I luckily still had a lot of, and those eyes which seemed to sink further down every day.
I thought about forty years back and another reporter who’d managed steal my heart. And for the hundredth time I got a scare about how the years go by real quick. It was pretty clear I didn’t have long left and I didn”t like thinking that I might be taking what had happened back then as extra baggage.
“I think I got a good story for you,” I said without taking my eyes off the mirror.
She turned round with an air of irritation. I didn’t let her speak.
“It’s a story about Lingwood Dunn by the way, but I’m betting you’re going to be hooked.”
She looked at me with tenderness, her eyes getting ready to apologize.
“Are you serious? I mean I don’t wanna be rude, Sir, but I already told you,” she said, flashing her notepad. “So if it’s just another story about a golden glory…”
“I can guarantee you won’t have heard a story like this one. And stop calling me Sir. The pretty ladies call me Eddie.”
“Okay, Eddie, she replied with a smile that was more friendly than flirty. “In that case, if you…”
To be honest I was dying to know what she was going to say, but my sudden and unexpected movement made her instantly shut up. A ray of light told me the bar door was opening and I reckoned it was the man I was waiting for.
I don’t know if the girl was still looking at me, surprised by my sudden lack of friendliness, or whether she decided to tell me to go to hell and carry on with what she was doing. All my attention was focused on a long-haired guy in a black leather overcoat who was now walking through the bar behind me without taking off his sunglasses. He had an arrogant swagger totally out of key with his mediocrity. God, how I hate those kind of guys.
He walked toward the bathroom without changing his pace or deviating until he got to the last table, Benjamin O’Connors’. Then, in a surprisingly clumsy move, he put out his hand to take the envelope O’Connors had put on the edge of the table and hid it in his pocket. About as subtle as a drunk priest’s sermon. Then he carried on toward the bathroom.
I don’t think anyone in the bar had seen the operation, but not because it had been particularly discreet. They simply couldn’t give a damn.
I waited a few seconds before getting up.
“Back in a minute,” I said to the girl. I don’t know if she was listening.
My friend in the red bomber jacket was a lot more nervous now. He was looking around the whole while and couldn’t stop his legs from twitching. He looked at me, but could only hold the gaze an instant before fixing his eyes back on the beer he had in front of him. I guess he would see me again when I went past.
I went into the men’s room. Cleaner than I expected. Dirtier than I’d have liked. Two sinks, four urinals and three cubicles. Two were open. Under the third door I could see my man’s feet.
I looked at the others and noted that they all had two rolls of paper on the cistern.
I knocked on the door of the third.
“Busy!”
I knocked again.
“Busy, Goddamn it! Use a different one!”
“Young man, would you be so kind as to pass me a roll of toilet paper. I have a medical urgency due to an operation of…”
“Shit!” I heard the lock turning, “I don’t wanna know your life story, man.”
The guy opened the door and passed me a roll.
“Take it, and enjoy the show.”
It was time to be quick and effective.
With one hand I pushed the door open and with the other I grabbed the long-haired guy’s wrist and pulled it toward me, trapping it between the door and the frame.
“What the fuck!” he shouted from the other side.
Then with as much strength as I could, I smashed his forearm over and over again with the door.
He yelled and fought, but I’d caught him so unawares he couldn’t coordinate his movements. Then I went into the cubicle.
I pushed him against the end wall and before he fell and hit the toilet bowl, I put my hand between his legs. I squeezed hard. Luckily, he was dressed, so the move wasn’t so gross.
He groaned. I squeezed again.
He started to groan louder, but I shut him up by putting my free hand on his windpipe and forcing his head against the tiles. I let the hand go and caught my breath. Then a right hook to the nose. His head bounced and the tiles crunched. I hit him again and the blood stained my knuckles. Now the tiles were messed up too. Meanwhile, I squeezed the other hand and it seemed like something was crunching down there too. By now the guy didn’t have the strength to moan.
He was ready to talk.
I got him by the neck again.
“The gig’s over, buddy.” I said. From now on, you want money, you get a job.
I let go of the hand I had on his balls and checked his pockets. That made him change his expression and he tried turning to relieve some of the pain. I found the envelope stuffed with cash, and another one with the usual photos. But just the photos.
I got out a notebook and a pencil.
“Now you’re going to write down the address where I can go and get me the negatives.”
I grabbed his balls again. He gave a start.
He wrote it as fast as I forget my new friends’ names. He didn’t even look at the paper. For a minute I thought he was going to throw up.
Maybe I had squeezed too hard.
I know that sometimes I go overboard, but when you get to my age it’s better to take these guys by surprise because if I gave them a chance I could live to regret it. That said, it was clear I could get away with it because this was the nineties, and tough guys weren’t as tough as they used to be. Not even close.
I took him by the chin and shook his head so he would open his eyes and look at me.
“Remember this. If one day you go into a bar, a hotel or a disco and you realize that Benjamin O’Connors is in the same city, you get in your car and drive until you’re a 100 miles away. You hearing me? Otherwise, next time I’ll turn these – I squeezed lightly between his legs – into a cute decoration to hang from your rear-view mirror.”
I think he nodded, or at least tried to with what strength he had left. I didn’t get to see because right then the bathroom door opened and Benjamin O’Connors appeared, first with an expression of confusion and then one of fear.
“Shit!” was the only thing he said before he started running.
I let go of the guy and tried to get out of the cubicle as fast as I could, which wasn’t all that fast. It’s those moments I wonder whether I’m getting too old for the job.
“Take care, son.” I said by way of a goodbye.
I had time before I left to see him slide down awkwardly onto the toilet with both hands between his legs, trying to get some relief.
“Hey, Grandpa. What’s going on in there?” The waiter shouted from the bar.
“Nothing buddy, there’s a guy in here that seems to have eaten some bad scrambled eggs.”
The reporter, still on the stool, turned to look at me. Her smile evaporated when she saw the blood on my hands.
For a moment I thought I was going to say something but then there was a small explosion outside in the street.
“Be with you in a moment,” I said, as I passed her by.
The back wheel of the sedan had burst as it drove over the tacks I’d left to prevent my client driving off. I went up to the car and opened the side door.
Between the shock of the men’s room and the blowout, O’Connors was about to have a coronary.
“You can breathe easy. It’s all over.”
“He’s going to kill me,” he whispered.
“Don’t worry, I’m not going to do anything to you.”
“Not you, my Pa!”, he shouted, annoyed by my error. “If he sent someone it’s because he already knows everything. And if he knows, he’s going to kill me.”
“Relax, son. Your old man just knows that this friend of yours wasn’t exactly a saint and that he was squeezing you for dimes by taking advantage of the good family name. But from the little he told me, he thinks you were being blackmailed so he wouldn’t tell your beautiful young wife about some lover you might have stashed away somewhere. What Daddy didn’t know is that the lover was the long-haired guy.”
“Please! Please..!”
I leaned inside the car so I could settle the matter in the most discreet way possible in the middle of the street.
“I told you to relax. Here,” I gave him the envelope, “get rid of these photos. I’ll find the negatives and you can forget about this business.”
“Can I… Can I trust you?”
“Do you wanna talk about your options?”
He shook his head.
“Forget about it. I swear I don’t give a damn about high society gossip.”
I took out the envelope with the money and took my fee for the job.
“Here, give this to your old man and tell him I already got paid.”
“Thanks.”
“And be careful about your friends. Or what you do with them.”
“It’s not what you think,” he whispered.
“You can be sure about that,” I replied as I got into the car. “When I saw you on all fours like a carthorse I tried to think about something else.”
As I closed the car door I noticed that all the clients of the bar were crowded round the windows and the door of the bar to get a good view of the scene. The guy in the black overcoat came out. He held a bloody tissue to his nose. He was stumbling with his head high but his legs slightly bent. Some of the people tried to help him, but he rejected their goodwill with violent shoves.
As he turned the corner, he looked back at me. I winked and then lost sight of him.
“Hey, guys!” I shouted as I went back in the bar. This guy has had a blowout; do you think you could lend him a hand changing the wheel?”
“Yeah, sure,” a couple of the customers said helpfully.
“I’d do it,” I said as they walked past, “but I’m too old.”
I climbed back on my stool at the bar. The barman went back to his place on the other side.
“A beer?”
It wasn’t so long ago when I didn’t have to think twice before answering that question.
“No thanks, another coffee please.”
I turned towards the girl who was sitting down slowly, with a frown. I guess she was wondering what kind of old crock would put on such a show.
“You wanna tell me what happened?” she said as she sat down.
“Don’t think so.”
“Really?”
“No,” I repeated, but it was the friendliest no I could manage.
“Before, you said you wanted to tell me a story and now you’re not talking.”
“That was a different story.”
“I thought you were a guy who liked to tell stories.”
“Well, actually, I’m the kind of guy who lives them.”
She thought for a moment and inclined her head so all her hair fell to one side. Maybe it was bothering her, though I suspect she was just using her female charm to get an old guy nervous.
She got close enough to whisper.
“Who were those guys?”
“Oh, just some guys with too much free time.”
She realized she was going to get nothing out of me and gave up, though she was still curious.
And then I saw a glimmer in her eyes that woke up an old itch. For the first time, she wasn’t looking at me all patronizing like most young girls look at older guys. So many women had looked at me that way during my life that it was impossible not to pick up on that spark one more time.
“Who are you, Eddie?”
“The one and the same: Eddie. You said it, gorgeous. And I’m real sorry to have interrupted our conversation before.”
Now it was me who was getting up close. “If I remember right, you were about to tell me something fascinating.”
“Me?” She answered, putting on an air of Miss Interested 1990. “Hmm, let me think. If I’m not wrong, I was going to say that if you gave me a good story for my article, I’d invite you to lunch.”
“Baby, when I tell you this story you’re going to want to invite me to bed.”