Showing posts with label historical fiction writers. Show all posts
Showing posts with label historical fiction writers. Show all posts

Friday, 2 May 2014

BOOK TOUR, GUEST BLOG & GIVEAWAY - Milk Fever, Lissa M.Cowan - Historical Ficition / Suspense



Title: Milk Fever
Author Name: Lissa M. Cowan

Book Description:

What if the only person you ever loved suddenly disappeared without a trace?
In 1789, Armande, a wet nurse who is known for the mystical qualities of her breast milk, goes missing from her mountain village.
Céleste, a cunning servant girl who Armande once saved from shame and starvation, sets out to find her. A snuffbox found in the snow, the unexpected arrival of a gentleman and the discovery of the wet nurse’s diary, deepen the mystery. Using Armande’s diary as a map to her secret past, Céleste fights to save her from those plotting to steal the wisdom of her milk.
Milk Fever is a rich and inspired tale set on the eve of the French Revolution–a delicious peek into this age’s history. The story explores the fight for women’s rights and the rise in clandestine literature laying bare sexuality, the nature of love and the magic of books to transform lives.
Excerpt:
Armande handed me a book that felt clumsy and stiff in my hands.
I pressed it with all the strength I could bring to bear. She said the
pages of books were made from cotton and linen rags stamped into
pulp, then pressed into paper and hung to dry. I laughed at her for
telling such a lie because I thought maybe she was just like my father
who told tall tales to make me behave. Rows and rows of lines she
called words looked odd to me. Many times I searched hard within
every letter, every sound to find meaning. The letters cut my tongue
as thorns on a rose bush, each one sticking to me. I could not speak
the next letter until the one before it came unstuck. Soon after the
word was finally spoken, my lazy tongue quit my mouth.
Months later, the wet nurse asked me to read a passage aloud.
The first line was, Bodies gliding on morning’s cloak of dew, lit up
as iridescent insect wings they flew. When I came to the word iridescent,
Armande said to say it slowly, one letter at a time. She told
me it was from the word iris for the flower, and escent for colours
of the rainbow that change as a dragonfly in the sun. Finally, when
my tongue began working with me and worrying less, she asked me
to say other words like deliquescent, effervescence, and florescence.
These newfound words were as rare gems dug up by the wet nurse
solely for me. She wrote them out with big stokes that filled a whole
page. I rubbed my eyes to make the words go away, yet they only
stayed there waiting for me to say them.
In the days and months that followed, I learned to read and write
well, and I learned first-hand about the miraculous effects of Armande’s
milk on babies. Before, I was a mere servant watching from afar as the
wet nurse suckled. Then I was part of her life, holding and changing
babies, burping them, and rocking them to sleep. Armande cared for
three babies during this period yet not all at once. She would also tend
to others from time to time, reassuring worried mothers in soothing
tones as gentle and sweet as the milk itself. First there was Jacques
who she still cared for. His mother died in childbirth and Armande
stepped up to nurse him without a thought about payment. Caroline
came after, then Héloïse. The first time I watched from up close as
Jacques drank her milk was in the drawing room.
Armande was on her favourite oak chair with the sagging blue leather
seat and worn arms while I sat on the sofa. Suddenly Jacques stopped sucking,
then gazed at me knowingly, his eyes full of light. In that instant, a slim ray
of sun gleamed through a crack, lighting up the darkness inside me.
My hands shook. Sweat ran down my cheeks and the back of my neck.
Just as she said her father sometimes described it, we were entering a new
age driven by light. And I, a peasant girl whose father and mother never
held a book, would be there to witness the change


Author Bio: 

Lissa M. Cowan is the author of Milk Fever and founder of Writing the Body. She speaks and writes about storytelling, creativity, work-life balance and creative spirituality. She is a Huffington Post blogger and writes regularly for Canadian and U.S. magazines and newspapers. 
She is co-translator of Words that Walk in the Night by Pierre Morency, one of Québec’s most honoured poets. She has been writing and telling stories in one form or another since she was six years old and has received awards for her writing from the University of Victoria’s Writing Department and from The Banff Centre. She is an alumna of The Banff Centre and The Victoria School of Writing. She has had some wonderfully talented teachers along the way such as Nino Ricci, Jane Rule and Daphne Marlatt who have helped her hone her writing craft.
Lissa believes that inspiration for writing can come from anywhere and that lifelong creativity begins by cultivating a deep awareness of ourselves, and the world around us. She coaches her students to develop the skills to tune in—rather than wait for the muse—and to trust their intuition. She believes that true creative work begins with a loving relationship to self and spreads outwards to encompass all living beings.
When she’s not writing or teaching, you can most likely find her in a cafe working on one of her stories or book ideas. She just started work on a creative non-fiction book, though it’s too early right now to spill the beans on that one!
She holds a Master of Arts degree in English Studies from l’Université de Montréal and lives in Toronto, Canada.

Author Links - 

Website: lissacowan.com 

Linkedin: http://www.linkedin.com/in/lissamcowan 






Book Genre: Historical fiction, literary suspense
Publisher: Demeter Press
Release Date: October 18, 2013











Monday, 3 June 2013

Book Tour & Kindle Fire Giveaway! - Celebrate the Sinner by Steven Merle Scott


Celebrate The Sinner
by Steven Merle Scott

About The Author:

S.M. Scott was raised and educated in Oregon, Alaska, France and Africa. Born in the Willamette Valley, his father, grandfather and great grandfather were Oregon lumbermen. When he was eight, his parents packed up the family and their portable sawmill and moved to Anchorage, Alaska where they began cutting homesteader timber in the summers and teaching school each winter.

He later returned to Oregon to pursue undergraduate studies at Linfield College. Along the way, he has studied economics, biology, French and medicine. He attended medical school in Colorado, undertook surgical training at the University of Utah and completed his cancer training at the Mayo Clinic in Minnesota. He and his family now live in Salt Lake City in the warm company of Saints and sinners. He is a practicing orthopedist and cancer surgeon.


Genre: Historical Fiction
Publisher: Blue Amber Press
Release Date: January 30, 2013


Book Description:

Unsettled conditions anywhere give rise to fear,” Old Ted remarks. “Fear finds scapegoats and easy solutions.”

In 1924, Marie walks through the Waverly Baby Home and chooses Teddy because he looks like the child she deserves...but the boy has hidden defects. Five years later, against a backdrop of financial ruin, KKK resurgence, hangings and arson, Marie's husband, Merle, struggles to succeed, Marie loses her way, and troubled seven year-old Teddy begins to see what he and his family are missing.

CELEBRATE THE SINNER unfolds with the onset of The Great Depression after Teddy’s father buys a bankrupt sawmill and moves his small family to an isolated Oregon mill town. Merle feeds his hunger with logs and production, while his young wife feels like rough-cut lumber, unworthy of paint and without a future. When a conspiracy threatens the mill, Merle adds the powerful KKK to his business network. Untended, Teddy strays as he searches for a connection outside himself. He loves the machines that take the trees, but he also worships his new, young teacher. He discovers the Bucket of Blood Roadhouse and begins spending his Saturday nights peering through its windows, gaining an unlikely mentor: Wattie Blue, an ancient, Black musician from Missouri, by way of Chicago, plays the lip harp and calls out square dances. When Wattie faces the Klan and his past, Teddy and his family are confronted with equally difficult choices.

Framed by solitary, narcissistic, ninety-year-old Ted, this story of desperate people contains humor, grit, mystery and an ending that surprises, even stuns. "Spines and bellies soften and round off with the years," Old Ted muses. "Thoughts, too, lose their edge, but secrets scream for revelation. Perfect people, after all, don't hold a monopoly on the right to tell their stories.

Excerpt:

YOUNG Teddy with his mother:

Teddy,” Mother called through her bedroom door. “I need you.”
I left the front window and knocked on her door. She insisted I do that. If she answered, I could come in. If she didn’t answer, it meant I should go away.
Come in,” she said.
Mother had just finished bathing. She was at her dressing table, sitting on the chair with the soft embroidered seat, staring into the mirror, studying her image. A white towel bound her hair. I stood in the doorway and watched her pat and squeeze the towel. Her hands traced its length from top to bottom, working the moisture into the fabric. As she let the towel fall, with a single hand, she carried her thick braid forward and laid it beside her breast.
Sit here, Teddy, and brush my hair.” She patted the seat cushion and inched forward. “We can make room.”
I climbed onto the chair behind her, my legs astraddle her naked hips, my spine pressed against the hard wooden back. The wet length of hair seemed to swell against the loose braid that held it. I released the braid and watched the strands fall apart. As I picked up the hairbrush and started with the damp ends, I knew that when I finished, when her hair had dried, it would ruffle and fan out like the tail feathers of a bright red bird.
I was Mother’s spectator, her silent confidant, forever held by the promise of more. Small secret jars, some pink and lavender, some with gold lids, others with glass stoppers, she arranged across her dressing table like figurines. She touched a shade of color with her fingertip and carried it to her cheek with the love of an artist completing a masterpiece. She reached for a second color, sampled it, but chose another. Rarely did she move her eyes from the glass in front. And rarely did I.
Mother’s eyebrows were slender because she plucked them, but her lips were full. When she looked down, lids masked her eyes like shades lowered, but the aching green behind them was always present. She wore her makeup bright red across the lips for the world to see, but more subtly along her cheeks and at the angle of her jaw. In her jewelry box, she kept gold hoops and bobs to wear when she and Father went out. During the afternoons at her dressing table, I chose the earrings she wore.
You are the best little man,” she told me as I worked the brush through her hair.
I know I am.”
I carried the brush higher and used it to massage her scalp the way she had taught me. She tilted her head to the left and then to the right to change the angle of view, the cast of light, and I followed her movements, careful not to pull. The thin muscles at the front of her neck tightened and released and slid beneath her pale skin like silk ropes under tension.
Held between the chair back and her spine, I barely moved, the warmth of her bath rising against me, damp like the rope of hair between us.
I am so lucky to have you,” she said.
I searched her mirror for an echoed smile, a flickered glance, the small treasures she’d hide for me to find, me alone.
Mother stood and moved away, but moisture from her thighs remained on the brocade cushion, altering the color of its fabric from blue to purple, which, after years, became an imprint that stayed.
Go play, now.”
I left with only the scent of her bath.

Harry Potter and the Goblet of Fire (Harry Potter, #4)